'The new Indian cinema has still not found its voice and identity. It's trapped under the deadwood weight of Bollywood and popular Indian cinema.'
On April 2, World Autism Day, Ajit Narayanan explains how Avaz has transformed the lives of many autistic children across the world.
'The Maharashtra government diktat is another meddling example in an industry where politics or language has no role to play.' 'Cinema has a universal language. Filmmakers are divided across regions, but united in their passion for films,' says director Suparn Verma.
'I don't care about how people are used to seeing me -- that is their problem. They make little compartments in their heads and they want to fit everybody into that, but I don't really abide by it.' Richa Chadha, in a candid chat.
The government has decided to ban Indian women from being surrogate mothers to foreigners to stop 'commercial surrogacy'. How will this decision affect surrogacy in India?
Anurag Kashyap explains why he is finally releasing his long delayed film, Ugly.
Ae Dil Hai Mushkil is a film about 'tedha love' -- crooked love, love that refuses to stay straight -- and about the unshared, pure potency of unrequited passion, says Raja Sen.
Giving up cricket isn't easy for a cricketer especially when you are the son of a cricket legend.
The win at Edgbaston was not the first time an Indian team had vanquished Pakistan in an ICC competition. Rajneesh Gupta surveys the landscape of India-Pakistan encounters in ICC contests.
Depression is not just stress, nor is it only sadness. Depression is an illness.
'I don't know how they dared to send Krrish for a National Award. It was a horrible film! Films like Dabangg and Bang Bang are trash films. Goliyon Ki Rasleela: Ram Leela was so bad; only the music was good. Straight talk from Garm Hava director M S Sathyu.
The year 2014 has been an eventful one for India. The country got a new government and a new state, broke new frontiers in various fields and of course its share of controversies.
The journey of Abhijit Avasthi, the former national creative director of Ogilvy & Mather, is as amazing as it is unbelievable. Read on!
